Review: Queens of the Stone Age Get Glammy, Groove-Centric With Mark Ronson
“Queens of the Stone Age” always sounded like the best glam-band name ever, and while Josh Homme’s free-ranging heavy rock hypnotists were never quite that, they come as close as ever on Villains. “I was born in the desert May 17, in ’73” Homme declares on the opener, “Feet Don’t Fail Me” – which is true, in fact. It also happens to be a date near glam’s peak, and the echo of Rick Derringer’s spangled ’73 top-40 anthem “Rock and Roll Hootchie Koo” is probably no accident, either. By the tail end, he’s sounding more like David Bowie than even Era Vulgaris’ campy “I Wanna Make It Wit Chu” back in 2007.
No Queens record has prioritized groove like this, andit reboots their brand nicely. Credit unlikely producer Mark “Uptown Funk”Ronson, whose retro instincts remain impressive, even in this arena. Homme’sfine Iggy Pop collaboration from last year (Post Pop Depression) alsofigures, evidently leaving Homme with a heightened taste for the sinewykrautrock grooves Ig and Bowie built during their golden Berlin days. Yet there’sno lack of crushing guitars. The single “The Evil Has Landed” squallsover brutally clipped beats, suggesting latter-day Led Zep if they’d wrappedtheir head around New Wave. “Head Like a Haunted House” goes further,a galloping assault pitched between Devo and the Buzzcocks, with thereminsounds wailing like a supercomputer meltdown in a trashy ’50s sci-fi film.Headbangers may be put off that QOTSA is now targeting feet and asses; too badfor them.