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Review: Nelly Furtado Goes Indie Label, Indie-Pop on ‘The Ride’

Review: Nelly Furtado Goes Indie Label, Indie-Pop on ‘The Ride’
 

With 2006’s glossy, Timbaland-produced Loose, Nelly Furtado went from the hippie-ish singer of “I’m Like a Bird” to an unexpected pop star with multiple Top 10 hits. The singer-songwriter, however, has been suffering from a musical identity crisis ever since, her largely ignored follow-ups teetering between her folk history and her pop success. Sixth album, The Ride, achieves a balance. Taking cues from recent collaborator Dev Hynes, an artist who makes emotional synth-pop, Furtado’s first album on her own label finds a home in crunchy indie-centric melodies that perfectly fit her imaginative lyrics. Opening track “Cold Hard Truth” is one of her finest in years, a catchy single with one of the album’s heaviest beats. The alluring “Paris Sun” carries a menacingly sexy synth reminiscent of Nine Inch Nails’ “Closer” but with a softer touch.

Theinfluence of producer John Congleton (St. Vincent, Explosions in the Sky) isclear, Furtado exerting pop-adjacent weirdness with a healthy dose of fuzz andcharm. However, she loses the focus and simple brilliance of the more upbeatmoments when she hits the ballads. “Carnival Games” falls flat by aslightly cloying chorus; and the subdued, overly wispy “Phoenix”serves as an anti-climactic ending to an otherwise energized, livelycollection. She’s found her most sustainable route yet – many defy pop oddswith a third career revitalization.

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